Minkondi in pairs |
|
WIFE OF MABYAALA. Before 1885 BaKongo, Cabinda Wood, glass, other materials H. 15 in. (38 cm) Rijksmuseum voor Volkenkunde, Leiden. The Netherlands. 2668-2101 |
Nkisi Mabyaala Ma Ndembe Before 1894 - BaKongo, Loango, Congo Wood, iron, fiber Height 27.5 inches (70 cm) Museum voor Volkenkunde, Rotterdam, The Netherlands. 4795 MABYAALA MA NDEMBE In several accounts, Mabyaala ma Ndembe is mentioned as one of the most important minkisi in the coastal regions at the end of the nineteenth century. What was it? Museums commonly show a single figure labeled nkisi so-and-so, but originally the material apparatus of an important nkisi included a number of pieces, often a pair of statues, male and female, a bag of medicines, a number of amulets and various other pieces of the ngangas equipment. It is possible to assemble from different museums a number of objects attributed to Mabyaala, although they did not originally belong to the same set. A Mabyaala in the Museum voor Volkenkunde, Rotterdam, is in the form of a male figure with crudely carved arms and with hands clasped on the belly. The raised arm carrying a knife or spear, seen in many minkondi, is not a feature of this one. The medicine pack on the belly has survived, but another has been lost from the top of the head. The face, strongly and carefully carved by comparison with the rest of the figure, has been invaded by nails to a greater extent than usual. As is often the case, the figure's expression, instead of being aggressive, conveys a serenity that contrasts with and seems to transcend the violence of the nailing. Although the hardware is often imported, these nails seem rather to be mostly of local manufacture; BaKongo made nails from the seventeenth century onward. The extent of splitting of the wood of the left arm suggests that many nails were inserted and later withdrawn when the missions with which they were associated were deemed to have been accomplished. Practice in this regard varied from region to region, or perhaps from nkondi to nkondi; the most common practice seems to have been to leave the nails in. Mabyaala is provided with his own musical instruments in the form of basketry rattles. An account in an 1893 Dutch missionary bulletin tells us how this Mabyaala was ultimately stolen. "This fetish was held in such high esteem that it might only be transported in a hammock, and the Blacks obstinately refused to give it up to Europeans except for a very high price. Later, French soldiers seized it and gave it to a traveler, who sold it to our Rotterdam friends" (Nederlandsche Zendingsvereeniging Zendingsblaadje no. 234, November 6, 1893, 7). From: Astonishment & Power - The Eyes of Understanding: Kongo Minkisi |
Rand African Art home page Nkisi/Nkondi main page - to see more examples and additional information CLICK HERE to go to the article Kongo Nail Fetishes from the Chiloango River Area By Ezio Bassani It has a lot of additional examples and information My comparison page I am working on The link above will take you to a couple of pages I am working on that show bad examples of these figures and then good examples of these figures. |