| Mambila Tadep figures Cameroon |
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| "Such figures are commonly described as ancestor figures, a description which is challenged. The gesture of the left hand or both hands to chin in Mambila sculpture is characteristic of tadep figures connected with a healing association called Suaga. The ritual paraphernalia were kept in granary-like storehouses adorned with painted screens (baltu). Two types of carved anthropomorphic figure were displayed in front of the storehouse: kike made from raffia palm pith, and tadep carved from wood. Both types were often made as a male-female pair and usually painted with black, red and white pigments. The style of the former is generally more abstracted than that of the latter. Larger tadep were also kept inside the storehouses. Although the Suaga complex remains central to the religious system of the Mambila, most figures and masks have been removed owing to their popularity among Western art collectors." Source: Keith Nicklin - Africa The Art of a Continent |
| Storehouse for Mambila Suaga Society property, Northern Cameroon. Photograph 1936 (A History of Art in Africa) The storehouse above has a ledge where the Tadep and Kike figures were placed. Larger Tadep figures were often placed inside the storehouses. The Tadep and Kike figures protected and proclaimed the sacred powers of the objects in the storehouses. Each family clan or homestead had a similar storehouse like the one pictured above. |